^ "The strange origin of the UK Reggae big bass sound: John Hassell Recordings, Barnes".Archived from the original on 4 April 2019. "How Jamaican soundsystem culture conquered music". Etymology Īccording to David Toop, the " dub" in dubplate is an allusion to the dubplate's use in "dubbing" or "doubling" the original version of a track. New music would regularly be composed and recorded onto DAT tape in order for it to be cut onto dubplate, often so that it could be played that weekend (or even that night).ĭespite the shift to DJing on digital mediums such as CDJs and DJ controllers, dubplates continue to be used for playing exclusive music and have also gained a specialist market in recent years. This would be followed through its descendants UK garage, grime and dubstep, and cutting houses such as Transition. Whilst acetates have been used in the music industry for many years, especially in dance music, dubplates would become a particularly important part of the jungle/ drum and bass scene throughout the 1990s. Throughout the 1980s and 1990s, Music House in North London and JTS Studio in East London would become the two most prominent "cutting houses". John Hassell and his wife ran a recording studio from their suburban house in Barnes, South West London, but would become key to British sound systems and artists such as Dennis Bovell. In the UK, the earliest place to cut reggae dubplates would also be one of the most unlikely. As such, these would become known as "dubplate specials" often remarking on the prowess of the sound system playing it, in a bid to win the clash. Special and one-off versions would be cut to acetate for competing in a sound clash, utilising vocals specially recorded to namecheck the sound system. More tracks like DJ Limited - The 'Dubplate E.P.The first use of dubplates is commonly attributed to sound engineer King Tubby and reggae sound systems such as Lloyd Coxsone and Killamanjaro.Playlists containing DJ Limited - The 'Dubplate E.P.' (Promo Mix).Users who reposted DJ Limited - The 'Dubplate E.P.' (Promo Mix).Users who like DJ Limited - The 'Dubplate E.P.' (Promo Mix).Hit that dirty baseline □□ Buy DJ Limited - The 'Dubplate E.P.' (Promo Mix) Oooooooooohhhhhhhhhhhhh Comment by Ellie Keenanįuck off Comment by Karl 'Beatbox' Shephard Just threw my nan down the stairs Comment by Charlie I cant believe my luck i found this Comment by Charlie Yaaaa maaan!!! Comment by Tom Matthews 101įUCKKKKKK OFFFFF□□□□ Comment by Sanna Mehtälä Smash ur pasty dont be nasty □ Comment by hjcurtis □so VeeRY DooPee□ Comment by morgan edge Genre Drum & Bass Comment by Darcy Gallagher Shots from the double chamber, Limited is set to cause a ruckus with his new EP this year and Serial Killaz are certainly not standing in his way!. The reversed speech effects combine effortlessly with the recurring “one two” which will have any crowd humming along (which certainly seems to be the in thing at present!). Lastly ‘Ready’ and boy is this tune a big one! Incredibly well known vocal samples, gunshot effects and no-nonsense production make this an amazing end to the EP. Another moody track yet totally different to ‘Gang Related’ due to it’s upbeat breakbeat structure and vocal driven atmosphere. ‘Hit The Streets’ brings the vibe into new territory with plenty of panic ridden vocals, rumbling basslines and skippy swing breaks. Dangerous on it’s own, murderation in a link up. It’s screaming out to be sandwiched into something equally as devastating and for those that understand the true meaning of double dropping, it’s going to be right up your street. Switching things 360 degrees with ‘Colour’, a bright and upbeat number with plenty of funk and wobbles. Not one for the festival, not one for the radio - just smoke, lazers and darkness. It’s a nasty piece of filth that belongs in the gutter, the type of track you would only dare to drop in a really moody dance. ‘Gang Related’ has been bashed to bits by DJs currently supporting this EP and for a valid reason. If you’re watching the red lines, this one is a serious warning to sound engineers. The title track, ‘Dubplate’ provided a staple amount of reggae infused new school jungle although the switch here is that the bassline layering is a combination of hefty subs and glossy metallic tones that physically rip through metal speaker mesh. This EP from Limited is firing all kinds of shots - bring forth the flamethrowers. Taking that fact into consideration you wouldn’t think Serial Killaz would even touch a release under the title ‘Dubplate’ without it being of serious quality would you? Of course not! It’s something that’s bashed about the scene pretty loosely these days but what’s serious amiss is that actual dubplates were pressed to promote tracks before promo copies were even considered.
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